Shtëpi në Almeria nga vorarquitectura

Në nivelin urban, ndërtesa është e vendosur në cepin e dy rrugëve të ngushta, por shmang një marrëdhënie të drejtëpërdrejtë me to duke mbyllur dy katet e para të shtëpisë me një oborr të jashtëm, i cili sjell një përfitim si termik ashtu dhe mbrojtës. Në kontrast, kati i sipërm hapet komplet në një tarrace mbi rrugën e cila lejon pamje tëgjera mbi kishën dhe detin.

Si volum, ndërtesa qëndron në linjë me lartësitë e ndërtesave të aferta në të dyja rrugët, për të arritur një integrim urban me ambjentin rrethues. E mbyllur me fasada qorre, ndërtesa i qëndron besnike gjuhës arkitekturore popullore të zonës, me mure të bardha dhe hapje të vogla, por njëkohësisht përcjell ndjesinë e një projektimi bashkohorë.

Shtëpia është e organizuar rreth një oborri të brëndshëm dhe një strukture qëndrore që përmban tualetin dhe mekanizmat e qarkullimit. Gjëresia e verandës është proporcionale më dimensionet minimale të papafingos, në mënyrë që struktura e papafingos të mbesë e integruar dhe ndërtesa te ketë unitet. Hapsira e oborrit është e përdorur si një zgjatim i shtepisë, si vizualisht ashtu edhe fizikisht. Duke qënë e mbrojtur klimatikisht, ajo krijon një dalje të gjërë në pjesën e jashtme pa humbur intimitetin shtëpiak, pra kthehet në zemrën e shtëpisë drejtë së cilës hapen gjithë zonat e banuara.

At an urban level, the building is situated on the corner of two very narrow streets, but avoids a direct relationship with them, closing the first two levels of the house around an enclosed external courtyard, which is both controlled and thermally benficial. In contrast, the top floor opens fully onto an open terrace above the street that allows distant views over the church towards the sea.

As a volume, the building aligns itself in height to the adjacent buildings on the two streets to achieve urban integration with the immediate physical environment. Closed with blind facades, the building does not move away from the popular regional architectural language of white-washed walls with few small openings, but is still clearly a building of contemporary design.

The house is organized around a small enclosed courtyard and a central piece containing the bathroom, which structures the circulation.The width of the patio aligns itself with the minimum required dimensions of the attic floor, so that the body of the attic is integrated and the buiding reads as a whole. The courtyard space is used as an extension of the house, both visually and physically. Climatically protected, it transforms a wide exit to the exterior without losing domestic intimacy. It becomes the heart of the home onto which all the habitable areas open

At an urban level, the building is situated on the corner of two very narrow streets, but avoids a direct relationship with them, closing the first two levels of the house around an enclosed external courtyard, which is both controlled and thermally benficial. In contrast, the top floor opens fully onto an open terrace above the street that allows distant views over the church towards the sea.

As a volume, the building aligns itself in height to the adjacent buildings on the two streets to achieve urban integration with the immediate physical environment. Closed with blind facades, the building does not move away from the popular regional architectural language of white-washed walls with few small openings, but is still clearly a building of contemporary design.
The house is organized around a small enclosed courtyard and a central piece containing the bathroom, which structures the circulation.The width of the patio aligns itself with the minimum required dimensions of the attic floor, so that the body of the attic is integrated and the buiding reads as a whole. The courtyard space is used as an extension of the house, both visually and physically. Climatically protected, it transforms a wide exit to the exterior without losing domestic intimacy. It becomes the heart of the home onto which all the habitable areas open.

Marrë nga: Andrew Rosenberg